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Cathedral RESIDENTS
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dv'sNeue Kathedrale des erotischen Elends
process nAârt

21-28/03/2006
DREAMSTOREMEMBERS ,


V is 4 VESSEL

----Vampyromorpha infernalis----
Lo
the Plaque of OctoPussy's Wake
in this here Dominion - Enter it,
but
Mind your Bubbly Bit

T is 4 trees


...gold she will or he ouch...
her touch you with her touch you with her

dreamstoremembers
pupurpurchase pupurpurchase
her dreamstoremembers

D
R
E
A
M
S
T
O
R
E
M
E
M
B
E
R

K

d

e

E

immanent absence
X


1

2
work
buy
make
poke
stand
come
crave
push

17032006 (lots of bites): Daphne alla gory, a tree voiced invention (remanet nitor unus in illa, the eye of the beholder)

cry
crumb
fold
puke
foam
bend
rave
&
h
e
s
i
H
e
s
i
-
-
-
2
-
-
-
3
H
e
s
i
t
a
t
e

*[google 4nicatering provided asis]

V is 4 Vessel

vis for vessel

i knew a girl once who's name was sally
HER 8 LEGS WERE ALWAYS IN A TALLY
NOW THAT SHE'S GONE I WAKE UP SCREAMIN'
'CAUSE I'M ALWAYS DREAMIN'
ABOUT HER LEGS ABOUT 2 SUFFOCATE ME
JUST BEFORE SHE ATE ME

YAMAN:

dreamstoremembers

r&sCROllmY

WORLDWIDEWALKIN'
dreamstoremembers

exort/abort:
y/n
?

vis for vessel

{contributed by VuDu, another vempyre gone to the Gods}

send me your contribution to V is for vessel
(6 lines starting with "I knew a girl once")
(MALE ONLY)

 

[
V is 4 Vessel
is a testrun for the Cathedral wailing wall premiered in 2009 in Kessel-lo, Belgium
]


a comment of the Cathedral-Mother:
"Organised? RU TUTU? They've always bin Organised"


09032006
absence of N ("This is so much another boring not an N song")

07032006
enota (for future reverse engineering) (in the rain) ...


are always
Some Frames (Are Always On) the Cathedral Mother Reclining

the Cathedral Mother Reclining, after plugging into a t-shifting newsfeed on the Crack.

scrwtng: a scrll of nline wrtng
scrwtng | grbgd nln wrtng

This spring the monAd blogservice will perhaps be available to NKdeE users.Do Monads Cast Shadows?

graphTing
graphTing:
scratch the Cathedral's Skin

21022006

SIC(), a peculiar recursive function written in Dutch & relating to colour. with an illustration by FÉlicien Rops

"What we call virtual is not some thing that lacks reality, but [a thing] that engages itself in a process of actualisation following the plane that gives it its reality (lui donne sa réalité propre)."*

Gilles Deleuze, L'Immanence: une vie...

EAST

INTRODUCTION to the NKdeE

The Cathedral Can of Nerdy Worms wishes to inform you of the following:

***Most of the files available from this URL require a fairly recent machine to run them properly.
Can't be helped, sorry, it's kinda inevitable to this kind of research***
Whatever machine you're using, you'll need to have a recent version of Macromedia's Flash Player installed, preferably version 8 (cabfile 8.0.0.0) or higher

(A$H A$H makmak dv: prtt prtt)

Flash Player 7 (or even 6) will do:  


---------
->

Are U Adolphe Sax? A Universal System for Social Rehabilitation

Are U Adolphe Sax?
- requiring Flash Player 8 - g*d on a Kabakovian approach to real time I Found a copy of Ilya Kabakov's Universal System for Depicting Everything at the second-hand bookshop this week. Lovely.
Cathedral Mobil Ave

njet she sez

DANA in the POND, another failure with some dramatic sucking on a sponge (27/11/2005)

Danae errata addendaque(24/11/2005) - desperately trying to get DANA MILLER IN THE POND
( 23/11/2005)

WVW#3
restoring Blake's Printing House
restoring Blake's Printing House
(Plan for a 12,569$ interactive stereoscopic projection of The Proverbs of Hell in Kessel-lo, Flash 8 video, 3,33 mb) (28/11/2005)
Cathedral on Google Earth
MixmyPTIX: an ELEGIE im D Flat
Support the NKdeE!
BUY some High Quality Garbage at the garbageSHOP!
WITVLEESWIT

25 Dead Screenleaves & Converse-allied EUROcoded 11/11/11 Re-collective SeaShore Scrolls #1

25 Dead Screenleaves & Converse-allied EUROcoded 11/11/11 Re-collective SeaShore Scrolls #2

witvleeswit#2
The Rothenberg Scroll

...localising autumn 2.0...

...mu#2...

...mu#3...

22/10/2005, Flash, After Effects & Altavista Babel Fish
 
... HARDCORE NAârt...


Illuminated NonSense

& Digital Essay


What is nAârt?

Studies for Leibniz draining the mines at Harz , a net-opera

 

... NAârt(b)LOGS...

(external)

weblogs by dv
...NAârt digital scrolls & places...

The Release from Seasoning of the Cathedral Scroll
& subsequent Burning of its Seasoning Cover

(flash file 1237 kb)

 

Studies for Leibniz draining the mines at Harz
(flash embedded video, 837kb and some notes)
1 Belgian Digit
(animation flash bleu-kesseloise, 7kb)

The Cathedral as Spotted in Aubel on 21/7/2005

(3,9 x 8,6 cm, unvarnished watercolour on paper, 2500 x 1112 pixels)

2 Towers & a Scroll of Books you could Buy

(list of books and some music/comments)

Approaching Ezemaal
(Flash - sound/video complications - 7mb)

Some issues while parsing a children's party

(Flash app - DIY database manipulation)

The Previously Hidden Model of the Model of the Concise Model Of The Universe,

Cruelly Interupted while Drawing Itself in Mid-Air

3 ways of getting to Alken & back (by train)

 


SUPPORT the NKdeE      
REGISTER as NKdeE USER

THE PRACTICE OF PROCEDURAL WRITING (on the nAârt status of nAârt texts)

GREETINGS from AWAGNE

The practice of procedural writing
...a postcard from the Cathedral-Mother on holiday in Awagne (Dinant)...

 

...SOUND nAârt...

some mp3 files

1st Cathedral Theme of erotic Misery (with some half-erased variations )
dv on Roland PC-180 midi keyboard, Soundfonts, Cubase VST, SoundForge 4.0, 2-5/08/2005

study
for 'Leibniz draining the mines at Harz', dv 2000

For Morton Feldman

 

... NKdeE LEXICON ...

Image source: use 'Rothschild Canticles as Search Key

from the 'Rothschild Canticles' MS 404 in the Beinecke Rare Book & Manuscript Library

PERICHORESIS:

(Latin:'circumincessio')(English:being together in a circular movement) : In his opus magnum 'Spheres' German philosopher Peter Sloterdijk documents the attempts of medieval scholastics (i.c. Johannes Damascenus (ca. 650-750) in his 'An Exact Exposition of the Orthodox Faith' to integrate the concept of the Holy Trinity in a Hellenistic, platonic cosmology. Sloterdijk takes the question 'Where?' (as opposed to What or Why) as his philosophical starting point and develops a cosmic sferology as an answer.Here the concept of 'Perichoresis', traced back to its presocratic origin (Anaxagoras)is used to describe how persons create the place where they are by means of the relationship they have. For the Holy Trinity the place of God is defined by the relation of Father-Son-Holy Spirit, and thus the medieveal dilemma of 1+1+1=1 can be resolved by the dynamic nature of the metaphysical Relation outside of time (3x¥=¥) .


It is only in (blasphemous) thoughts outside of time that the Trinity can be thought of as not being One. The concept may prove to be a key to developing our experimental Cathedral Game where the processes of the Cathedral Residents, partly 'fed' by software agents roaming the net in search of information related to their 'being' and partly defined by user interaction (players in the Game will need to use a Resident as avatar) will be an important factor in defining the Cathedral recursively.

peripathetica: female 21st century artist addicted to perichoresis
peripatheticus:
(cfr. >Greek peripatic) collaborative male 21st century artist following his dick. Peripathetics suffering from dimished creative powers are often referred to as 'having lost their h'.

quoted - citaat

" If I'd found that in poems written in 500BC or in Aeschylus, i'd have made reference to them and chosen texts from that time. The 19th-century aspect of Mallarmé is of no importance to me and is completely relegated to the background. He quite transcends this period. " [my emphasis, dv]

Pierre Boulez on his piece Pli selon Pli in the booklet accompanying the 2002 Deutsche Grammophon cd edition with soprano Christine Schäfer - DG471 344-2

Ask a frequently unasked question
Most new texts appear first in the NKdeEBLOG
Although the Neue Kathedrale des erotischen Elends only produces nAârt, instances of !art, it supports and tries to adhere to the principles of the
Free Art Movement


Read the Free Art License

 

... nAârt theory/theorie...

- Introduction to Cathedral Building Theory
- NKdeE Theory BLOG

- A note on Alan Sondheim


...the original Cathedral of erotic misery was initiated
by
Kurt Schwitters...
...de originele Kathedraal van de erotische ellende werd geinitieerd door Kurt Schwitters...



Up (all the way)
Left
Up
Out
Down
Right
Down (all the way)

www.bnat.be has been registered

"Ce qu'on appelle virtuel n'est pas quelque chose qui manque de réalité, mais qui s'engage dans un processus d'actualisation en suivant le plan qui lui donne sa réalité propre."
My translation, to be sure, is not entirely correct and making the quote a motto for the Cathedral radically changes its meaning. Both facts are, in a Cathedralic way, at the same time, necessary inasmuch as they are unavoidable.I have been looking for a long time for the Cathedral Motto, knew it would have to be something by Deleuze. This feels quite right.

The first words that can be attributed to Cathedral Time are : "The virtual doesn't exist (or it wouldn't be virtual)", jotted down in the Cathedral A5 scrapbook on 27/09/2004 at 0:50.

The short piece 'L'immanence: une vie' was first published in Philosphie numéro 47, numéro spécial Gilles Deleuze, Ed. de Minuit, Paris, 1/9/1995, ISBN 2.7073.1528-1

below :     

multiple progressing nudes
propably from the Grand Finale of
the Ceremony of the Sacred Quadrature.

compiled from 2 photographs by
Stan Trampe

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Cathedral RESIDENTS

 

 

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"Anke disappearing in a syncretic field of floating opera's amused the audience while someone stole the apparatus of their minds. A time of Panic spread across the vowels, indicative of folds within her body as it longed for Upper-Earth...
Another golden opportunity had passed by unnoticed. "

<Constantijn Huygens Chapel >

 

C.1-7.

 

 the poet to his muse, in her absence

 

 

 

 [dv, 1993]

 

 

 

 

 

 

1.

Omwonden hoofd, bevliesde hand,
in ruis van roem verschanst skelet
& klaaglijk in de kortste zomerwind :

Uw woord verkrampt een dag & is
om lichtval uitgesponnen punt,
een eeuw een pop, lethargisch nu

van nu & niet de zwangerschap
van leven uit de dood ontdooit.
Zwermt eensklaps dan haar wraak

gespiegeld in Uw glas, mijn oog,
haar blauw ten hoge hemel uit :
het is dan donker nu heelal.

 

 

 

 

 

 

 

2.

Het is dan donker nu heelal,
nu van het hofdeel eerst beloofd
een letter rest, 't verworpen ik,

een ons dat voor een dag of drie
in 't vaalste licht van eenheid droomt,
van god die gaf & vlinders baarde.

Spreidt dan van daar, Uw hoge zang
& het diepst doorvoelde pleiten
voor lief & land & leed ten spijt,

het zwijgen, driftig zwaaiend uit
de knop die prangt & splijt, over
U, Uw blad, mijn zien & stervend

waken niet eenzelfde, stille droom?

 

 

 

 

 

 

 

3.

Eén-zelfde stille droom van waken
uit het hoog-betwistte laaglands leed
uit scheuring van éen zin in zinnen,

die in 't rimpelvel van tere vrede
wonden stoten, koortsen open sne'en
ten woeden geven & het zoetste

van gewild verkozen honingzoet
van elks Voorhouts lijf & lustenbloei
met van schand' & hoon & spijt

het vliedend eeuwig, aardse onderwerp,
donker kleuren, zich verderven, rood
met dood berijmen, koud behouden

tot geen kreet nog beeld kan geven.

 

 

 

 

 

 

4.

Tot geen kreet nog beeld kan geven
fluister ik, ontvang van hese klanken
& Uw spel, Uw hel, Uw spelen & het

helen, zon & rijm ontstolen appelblos,
wat blinkend roze nooit vergoeden kan
wat zich ontstijgt, verniet & slaperig

mij verspreekt, ontzegt, & 't dwalen
van uw geest in mij als daad verlaat,
Uw raat & 't schijnen van Uw land ontkracht

tot niemand ons nog dodend roept
& noemt & zegt & dat voorwaardelijk
nu nog meer dan ooit met U :

Uw rijk kome, Uw wil geschiedde.

 

 

 

 

 

 

5.

Uw rijk kome, Uw wil geschiedde
want het mijne loopt in't knellen
van mijn vastste vuist verzand

tot zand ten hoop : een dorp
verwaait aldus bij 't lichte zuchten
van mijn laatste wil een levenslijn

van haar verdaan ten eind, het slot
op mijn nood, mijn dood haar lot
ten spijt & in't vlieden van mijn zijn

uit haar, haar warmst geboden roos
staat afgetekend elke korrel
van mijn liefde doods verhit, verwoord :

kom vriend nu gauw, mijn ster' is heen.

 

 

 

 

 

 

6.

Mijn ster was heen, Uw nacht liep uit
langs open beten, van woeste baar de bede
in een onverschillig land gebeten :

misbaar van één nacht, een nacht & drie
dat ik zo vol van U de dag verliep,
haar klaarte in mijn nacht versliep

& van haar wezen tot Uw vaste waren
licht niet, vuur niet, lijf noch lief
noch van Uw hemel d'aardse constellatie

noch d'hemelse vertroosting van een blijvend
aardig zijn, noch U, noch haar, noch mij,
noch van ons aller lot het liefste zag

& blind & donker schreidde op het donker
waar mijn zwijgen zwart verloren lag.


 

 

 

7.

Waar mijn zwijgen zwart verloren lag
zal ik nog zijn & U ook mij nog mee,
want zijnde is van U het woord gezegd

omdat wat anders kan, zich mij ontzegt.
Ik heb niet lief, mijn leed is mij te
groot, ik heb geen angst, mijn lief

is mij om leed verdaan, ik heb niet
& niets is wat ik heb omdat ik heb &
wat ik heb is niets. Genoeg nu vriend,

verdwaal hierin, van hier zal hij die brak
& brekend bloedde U verstaan, & Uw vast-
heid wedervaren als een zucht die uit haar

mond mijn mond zo mondelings bezoekt,
betracht, veracht & vromelijk bemint.

 

 

</Constantijn Huygens Chapel> 

 

 

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Cathedral RESIDENTS
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